I’ve shot the Richmond Zombie Walk for the last few years and have used a few different lenses. This year I opted for the 85mm and went super shallow at 1.2. That made for some really interesting shots but also resulted in a large number of missed shots. The 85 is slow to focus and it needs a couple of feet to focus. The zombies had the tendency to lunge in too close and/or at the last minute. Even with those misses, I like how many of the shots turned out and I remain amazed by how much work and skill goes into many of the costumes. He was filming his son with a camera on a selfie-stick. He was so happy. The Straw Man who was part of the Wizard of Oz group which was an entirely impressive group. Seeing zombie parents with their children was odd. I think this guy was driving the car that was responsible for the traffic jam I was in. He looked lost amongst the police and wreckage. Traffic started moving before I could try another shot.
10:00 -10:50 am | Tom Woodward will be your guide on this photo safari as we look at the world through different lenses. This shift in both perspective and attention has the potential to change how you think about many things. After a brief exploration of a few different types of photography, we’ll take our new considerations into the world we walk through every day. On our return we’ll share what we’ve captured and look at opportunities to extend these conversations beyond today’s excursion. I’ve been wanting to take a group of faculty out to take pictures since hearing about Abilene Christian doing it. Seems like it’s a good idea in a few ways. We look at our regular location in a new way. People get a chance to see how many interesting possibilities are right in front of us every day. In general the process opens up the chance to talk about lots of things that apply outside of photography – like the ability to tighten up action/feedback loops to make progress, framing things conceptually and then doing, trying to imitate styles, etc. etc. I made a quick website that morning to hold photos we took so we could have discussions around the photos after the fact. Participants could submit via the Jetpack post by email option or through […]
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman. Emile Zola Letter to Paul Cézanne (16 April 1860), as published in Paul Cézanne : Letters (1995) edited by John Rewald As I continue to take more pictures, more consistently, and with a bit more focusThat’s a photography pun.– I find I wander farther afield (both geographically and conceptually) rather than narrowing and, perhaps, perfecting. Or at least improving more rapidly. It seems I follow a path in photography similar to the way I wander in everything else. I don’t really know if this leads to greater or lesser progress. Does taking landscapes influence your street photography? Do macros influence your portraits? Is it all part of a greater whole which shapes how you see the world? I have no idea. I’m hoping for the last one. It seems our society bets heavily on the opposite. It’s interesting to me to look at how the extrinsic “reward” elements of photography plays out as well. It’s a tricky thing in my opinion. There is this idea of “pure” art for art’s sake versus a kind of “compromised” art for audience. This feels overly polarized to me. Art and audience seem inextricably intertwined. Weighing the value of audience against your own […]