I figured I’d blend this week’s walking at work photos with a larger reflection as they mesh together pretty well. Partially because my reflections are blurry and distorted. The photos actually hurt my head a bit and so does trying to knit all this interesting stuff together. The following is a reflection on the course design process thus far and my own attempts to document the course design process. Messy. cc licensed ( BY SA ) flickr photo shared by Tom Woodward I’m going to try to capture some of the conversations that have been going on the past few days between Jon Becker, Gardner Campbell, and myself as we start to pull this summer’s MOOC together. I’m doing this in part to further refine my own thoughts but also to play around with Englebart’s idea of a dynamic knowledge repository (one possible element of the course). This will, of course, represent my own slightly askew view of the proceedings but I trust neither Jon nor Gardner would be shy about throwing their opinions in the mix. cc licensed ( BY SA ) flickr photo shared by Tom Woodward The conversations have been wide ranging in many interesting and occasionally confounding ways. With an initial goal not to overly define the destination- not to create the rubric-based “prophylactic effect” (That’s […]
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman. Emile Zola Letter to Paul Cézanne (16 April 1860), as published in Paul Cézanne : Letters (1995) edited by John Rewald As I continue to take more pictures, more consistently, and with a bit more focusThat’s a photography pun.– I find I wander farther afield (both geographically and conceptually) rather than narrowing and, perhaps, perfecting. Or at least improving more rapidly. It seems I follow a path in photography similar to the way I wander in everything else. I don’t really know if this leads to greater or lesser progress. Does taking landscapes influence your street photography? Do macros influence your portraits? Is it all part of a greater whole which shapes how you see the world? I have no idea. I’m hoping for the last one. It seems our society bets heavily on the opposite. It’s interesting to me to look at how the extrinsic “reward” elements of photography plays out as well. It’s a tricky thing in my opinion. There is this idea of “pure” art for art’s sake versus a kind of “compromised” art for audience. This feels overly polarized to me. Art and audience seem inextricably intertwined. Weighing the value of audience against your own […]
I loved both expressions. It’s interesting to see just how aware kids are of cameras. I don’t know if that’s always been the case. Some of the posing I’ve seen, not these kids, has certainly been a more recent development. I don’t often take pictures of flowers but I liked this one. I’ve remain fascinated by grass seeds like this. The lettering of the sign is really interesting as is what it says. You can see the tiny trail of a bug in the dew and then the wing imprint and claw marks of a bird as it swooped down and plucked it off.