Stranger Portrait #4 – David
David was suspicious of my motives. It seems explaining that you take pictures of strangers to interact with new people and work on your photography skills is not seen as a normal motive for doing something like this. I soldiered on and (semi?) convinced him I was simply odd and not evil. While suspicious in the photo, he was smiling by the time I left (coincidence?).
I did position myself so that he had to turn towards the light some. So I was actually thinking more about the photography aspect of things this time. I’ll consider that progress.
I am fully back on the stranger portrait path. This image is the one I like the best out of those I’ve taken recently. The others were all at a recent VSTE conference and I’m not sure I’m even going to “count” them in the progression towards the 100 total. Taking photographs at a conference feels substantially different than what I normally do with stranger photography. Additionally, I’m not thrilled with the quality of the images. I could get better about talking to the person and trying to get them into more interesting locations/lighting. That’s not something I do currently. It’s not something I tend to do even with people I know. I much prefer candid shots in almost all situations. This is one of those things that I haven’t fully decided on. It’d certainly make for better photographs. cc licensed ( BY SA ) flickr photo shared by Tom Woodward This gif is made of photographs, some of strangers and some of people I know, after the wireless failed at the VSTE conference. I put it forth as a mixture of art as therapy and gif magic.
My try at a minimalist movie poster. AllFrank got 007 stuck in my head and Alan forced my hand. sorts of people have already done it. Although most don’t seem to be tagging with visualassignments57DS106 Complaint: Make these tags shorter and non-plural. Now pretend I called into the radio show to say that. it so that it aggregates under the assignment on the ds106 site. That’s going to make it harder for Jim to count every assignment by hand when he does the big data infographic design fest at the end of the course. Process I had a number of ideas. Most of them centered around putting the tux bow tie around things like the Walther PPK. I did that and didn’t like it. Things looked too cheesy. To get the tux look, I started with a still from a Bond film and then ended up using the Polygonal Lasso Tool to trace the outlines. In the end I made the lines more angular and iconic. I added in some of the defining lines (to help define the bow tie and to illustrate the shirt split).
The mission is “Truth” through omission. Can you get at the underlying truth of a historical document through blackout poetry? Blackout poetry has been fairly popular for a whileIt appears Austin Kleon invented the idea in 2010 which seems crazy. but I haven’t seen any done on historical documents with the intent to get at a deeper, if fairly melodramatic, “truth”. I decided to use The Gulf of Tonkin Resolution. It makes for a pretty interesting way to interact with a dry document and requires a pretty close, and repeated, reading. I like the idea of redaction being a way to expose, rather than hide, things the government would rather not have said. The text from above . . . The United States of America in violation of the principles of the of the Charter of the United Nations and of international law, have deliberately and repeatedly attacked the Communist regime in North Vietnam the United States has territorial, military, political ambitions in that area desires the Congress approves the United States regards the Constitution its obligations reasonable assured except that it may be terminated earlier by concurring resolution of the Congress.