Visualize Census Data with Social Explorer
David Harrison at The University of Toronto’s School of Physics has a wonderful collection of physics animations. Many of them are interactive, and some allow the viewer to make predictions before the animation plays. Now, I have to be honest. I made it through physics because the top three students in my graduating class (wonderfully kind ladies) befriended me my senior year of high school. I remember little about the class except my teacher insisting that “1 and 1 makes three.” Needless to say, physics is not my strong suit, but I enjoyed playing with these animations. I found myself testing what would happen with this change or that one. Let me know if you can use these in your classroom. I’m trying to dig up more science and math resources, but these subjects are not my ex-per-tise. Link
I’m bouncing Dan’s post about design and storytelling in my head. His basic message is that it’s all about the story and design is just a tool to convey the story. If two people are telling the same story, the one who knows when and how long to pause, when to raise their voice, when to whisper will seem to tell a much better story. Visual design works the same way. And you get better at it by paying attention to people who are good and then analyzing your own work. Reflection on what you do that works is a key component of design (and just about anything else). It’s a lot like what D’Arcy says here about photography (just replace photography with design). And there’s no easy answer. There isn’t a simple recipe, where if followed dutifully, a person will be transformed into a better photographer. There are two separate but related aspects to photography – the technical, and the aesthetic. I believe that the technical side can be relatively easily addressed – read some books, maybe take a course or two, rtfm, and practice. It’s the aesthetic side of photography that is harder to develop. There isn’t an easy process to do that. Some sense of aesthetics will develop as you shoot more photographs – whether through trial […]
If you missed this a couple weeks back, all of Mozart’s works are now available online, free of charge. This may be an “in” with your music teachers if you’re having trouble getting them to begin using computers in their classroom.