Illustrating Odd Autocompletes
Blatantly copying this post for a #ds106 assignment.
Google Autocomplete is an oracle with strange powers to bring oddities into your life. This assignment asks you to seek out that randomness. Start with a strong phrase (things like “I hate . . .” or “I love . . . ” seem to work well.) and run through the alphabet looking for really odd autocompletes. When you find a good one, screen capture it and create an illustration that represents the search string.
I often see people and think that I’d like to take their portrait. It sounds creepy in my head as I write that but I promise it’s a fairly widespread idea. I just happen to think certain people look interesting but I don’t ever do anything about it. I worry my social skills are not up to it. I’m not a good first impression kind of guy in a lot of ways. There are many reasons. My neutral face frightens people. I tend to be reserved. As a kid who moved a lot, I had two choices become outgoing and gregarious or do the opposite. I chose the latter. But you see a photo at the top of this post. A photo I took of a stranger. That may not seem like a big deal to many of you but it took some serious psyching up for me to do that. It’s not the best picture but it does represent something I’m glad I did. That’s the interesting thing here. The #ds106 course gave me the structure to make some assignments and one I put up there was the stranger portrait photography assignment (visualassignment29). I had been thinking about it for a while. Once I wrote it down, it kept coming back to me. I couldn’t make an assignment for […]
I’ve been fairly obsessed with animated gifs lately. My apologies. It was really If We Don’t, Remember Me that had me stuck in this loop. This person churns out such really interesting visuals, I couldn’t rest until I got something fairly close. I feel like the image above, while not perfect, is close enough to let things rest for a whileThe gif is from some beach something something video. I was just randomly watching old movies on Netflix instant watch to make capture quality better and easier.. Initially, I just thought IWDRM was just a master of choosing just the right clip. Now, that part can’t be discounted but there’s a lot of other things that go on to improve the final product. While fairly simple, I’ll try to detail what I did and how I eventually learned to make it more economical time wise. I’m not a PS guy, so there may be even better ways. If you know them, let me know. This is tilted towards CS4 but I imagine the concepts will make sense if you use other versions or other software. Clip your video down in Quicktime or something like that. You can edit in the PS import tool but it’s awkward. Import the video files to layers. The animation window will be at the bottom. […]
The mission is “Truth” through omission. Can you get at the underlying truth of a historical document through blackout poetry? Blackout poetry has been fairly popular for a whileIt appears Austin Kleon invented the idea in 2010 which seems crazy. but I haven’t seen any done on historical documents with the intent to get at a deeper, if fairly melodramatic, “truth”. I decided to use The Gulf of Tonkin Resolution. It makes for a pretty interesting way to interact with a dry document and requires a pretty close, and repeated, reading. I like the idea of redaction being a way to expose, rather than hide, things the government would rather not have said. The text from above . . . The United States of America in violation of the principles of the of the Charter of the United Nations and of international law, have deliberately and repeatedly attacked the Communist regime in North Vietnam the United States has territorial, military, political ambitions in that area desires the Congress approves the United States regards the Constitution its obligations reasonable assured except that it may be terminated earlier by concurring resolution of the Congress.