Lots of patterns, attempts at black and white, urban decay, and lots of shadows. cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward cc licensed ( BY SA ) flickr photo shared by Tom Woodward

I photograph things on my walks to and from work for a number of reasons. I enjoy it certainly but it’s also about making sure I am really looking around. It is interesting to see what I notice and how it relates to the lens I choose to carry.There’s also something in what I tend to shoot. I keep trying to capture the pretty light off cars in the distance when I’m stuck motionless in traffic. What I think about quite a lot is which lens of analysis leads some people to see everything as PD and related to their work. It reminds me about this article (focused on changing perspective). . . We see, but we do not see: we use our eyes, but our gaze is glancing, frivolously considering its object. We see the signs, but not their meanings. We are not blinded, but we have blinders. My deficiency is one of attention: I simply was not paying close enough attention. -source …but then moving deeper (and moving to graffiti hunters) towards a more permanent shift in how you perceive things and the way it draws you into more learning and then more noticing . . . Saraceni says his GATS encounter on San Pablo was the “whoa moment” for him. “From then on, it was like I […]