Digital Storytelling Carnival
I’m a little late with this but . . .
If you’re looking for lots of great tips on all aspects of digital storytelling (from camera angles to classroom applications) check out Matthew Needleman’s new carnival.
I also found out Matt is a fellow ADE so hopefully I’ll get a chance to meet him in the near future.
Backstory Driving into work I was listening to NPR and they were interviewing Nikki Giovani a poet from Virginia Tech. In high school I was one of those people who really suffered reading the The Red Wheelbarrow and other non-rhyming poems. They irritated me in the same way people seem to be annoyed by White Paintings or 4’33”. In any case, in college I took lots of English classes. One of those classes was on poetry with Donna Hickey. The class selection was driven more by fitting my schedule and a vague notion that I might minor in English rather than any real interest in poetry. The first day of class she had everyone list their favorite poets. I don’t recall what people chose but I remember feeling like my choices of Shel Silverstein and Dr. Suess was not of the same category. In any case, I had a great deal of fun with the course and using poems as games and puzzles to think around and through. I later took a graduate course with Dr. HickeyPart of a free (aborted when I left and it wasn’t free) Master’s in Liberal arts where I also took painting, the modern Middle East, and basics of computer programming. in poetry and made my first digital liberal arts website around 2001 or 2002. […]
I’ve been fairly obsessed with animated gifs lately. My apologies. It was really If We Don’t, Remember Me that had me stuck in this loop. This person churns out such really interesting visuals, I couldn’t rest until I got something fairly close. I feel like the image above, while not perfect, is close enough to let things rest for a whileThe gif is from some beach something something video. I was just randomly watching old movies on Netflix instant watch to make capture quality better and easier.. Initially, I just thought IWDRM was just a master of choosing just the right clip. Now, that part can’t be discounted but there’s a lot of other things that go on to improve the final product. While fairly simple, I’ll try to detail what I did and how I eventually learned to make it more economical time wise. I’m not a PS guy, so there may be even better ways. If you know them, let me know. This is tilted towards CS4 but I imagine the concepts will make sense if you use other versions or other software. Clip your video down in Quicktime or something like that. You can edit in the PS import tool but it’s awkward. Import the video files to layers. The animation window will be at the bottom. […]
My try at a minimalist movie poster. AllFrank got 007 stuck in my head and Alan forced my hand. sorts of people have already done it. Although most don’t seem to be tagging with visualassignments57DS106 Complaint: Make these tags shorter and non-plural. Now pretend I called into the radio show to say that. it so that it aggregates under the assignment on the ds106 site. That’s going to make it harder for Jim to count every assignment by hand when he does the big data infographic design fest at the end of the course. Process I had a number of ideas. Most of them centered around putting the tux bow tie around things like the Walther PPK. I did that and didn’t like it. Things looked too cheesy. To get the tux look, I started with a still from a Bond film and then ended up using the Polygonal Lasso Tool to trace the outlines. In the end I made the lines more angular and iconic. I added in some of the defining lines (to help define the bow tie and to illustrate the shirt split).