- OpenVoice – a Hugging Face Space by myshell-ai
- Antoine Joseph Wiertz on photography
“Let it not be thought that the daguerreotype kills art. No, it only kills the work of patience and pays homage to the work of thought.”
- [2305.17493v2] The Curse of Recursion: Training on Generated Data Makes Models Forget
We find that use of model-generated content in training causes irreversible defects in the resulting models, where tails of the original content distribution disappear. We refer to this effect as Model Collapse and show that it can occur in Variational Autoencoders, Gaussian Mixture Models and LLMs. We build theoretical intuition behind the phenomenon and portray its ubiquity amongst all learned generative models. We demonstrate that it has to be taken seriously if we are to sustain the benefits of training from large-scale data scraped from the web. Indeed, the value of data collected about genuine human interactions with systems will be increasingly valuable in the presence of content generated by LLMs in data crawled from the Internet.
- Charles Baudelaire, “On Photography,” from The Salon of 1859
As the photographic industry was the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies, this universal infatuation bore not only the mark of a blindness, an imbecility, but had also the air of a vengeance. I do not believe, or at least I do not wish to believe, in the absolute success of such a brutish conspiracy, in which, as in all others, one finds both fools and knaves; but I am convinced that the ill-applied developments of photography, like all other purely material developments of progress, have contributed much to the impoverishment of the French artistic genius, which is already so scarce. In vain may our modern Fatuity roar, belch forth all the rumbling wind of its rotund stomach, spew out all the undigested sophisms with which recent philosophy has stuffed it from top to bottom; it is nonetheless obvious that this industry, by invading the territories of art, has become art’s most mortal enemy, and that the confusion of their several functions prevents any of them from being properly fulfilled. Poetry and progress are like two ambitious men who hate one another with an instinctive hatred, and when they meet upon the same road, one of them has to give place. If photography is allowed to supplement art in some of its functions, it will soon have supplanted or corrupted it altogether, thanks to the stupidity of the multitude which is its natural ally. It is time, then, for it to return to its true duty, which is to be the servant of the sciences and arts— but the very humble servant, like printing or shorthand, which have neither created nor supplemented literature. Let it hasten to enrich the tourist’s album and restore to his eye the precision which his memory may lack; let it adorn the naturalist’s library, and enlarge microscopic animals; let it even provide information to corroborate the astronomer’s hypotheses; in short, let it be the secretary and clerk of whoever needs an absolute factual exactitude in his profession—up to that point nothing could be better. Let it rescue from oblivion those tumbling ruins, those books, prints and manuscripts which time is devouring, precious things whose form is dissolving and which demand a place in the archives of our memory—— it will be thanked and applauded. But if it be allowed to encroach upon the domain of the impalpable and the imaginary, upon anything whose value depends solely upon the addition of something of a man’s soul, then it will be so much the worse for us!
I know very well that some people will retort, “The disease which you have just been diagnosing is a disease of imbeciles. What man worthy of the name of artist, and what true connoisseur, has ever confused art with industry?” I know it; and yet I will ask them in my turn if they believe in the contagion of good and evil, in the action of the mass on individuals, and in the involuntary, forced obedience of the individual to the mass. It is an incontestable, an irresistible law that the artist should act upon the public, and that the public should react upon the artist; and besides, those terrible witnesses, the facts, are easy to study; the disaster is verifiable. Each day art further diminishes its self-respect by bowing down before external reality; each day the painter becomes more and more given to painting not what he dreams but what he sees. Nevertheless it is a happiness to dream, and it used to be a glory to express what one dreamt. But I ask you! does the painter still know this happiness?
Could you find an honest observer to declare that the invasion of photography and the great industrial madness of our times have no part at all in this deplorable result? Are we to suppose that a people whose eyes are growing used to considering the results of a material science as though they were the products of the beautiful, will not in the course of time have singularly diminished its faculties of judging and of feeling what are among the most ethereal and immaterial aspects of creation?
- Generative AI ChatGPT Versus Those Infinite Typing Monkeys, No Contest Says AI Ethics And AI Law
Infinite monkey stats ahead.
- Let’s Dig Into the TikTok Tunnel Girl Drama
Kala first took to TikTok in October 2022 to announce the start of a “new and complex” project to build a storm shelter in her basement. The project eventually grew into a thirty-foot-long, twenty-foot-deep tunnel, with Kala documenting the entire process on social media. But of all the suburbs Kala could have chosen, Fairfax may be the least suited for a rogue mining project.
- Good Artists Copy; Great Artists Steal – Quote Investigator®
During the program Steve Jobs again mentioned the saying that he attributed to Pablo Picasso. Here is a transcript excerpt:
Ultimately it comes down to taste. It comes down to trying to expose yourself to the best things that humans have done and then try to bring those things in to what you’re doing. I mean Picasso had a saying he said good artists copy great artists steal. And we have always been shameless about stealing great ideas.
- Can the monkey selfie case teach us anything about copyright law?
I feel like this, camera traps, and digital images of physical art/documents leads to some crazy conversations about what it means to make art and what art may or may not be. It also hits so many crazy things about jurisdiction and the Internet.