This is the video I’d use to teach storyboarding. I might try showing them the finished version and ask them to reverse engineering the storyboards.
NOTE: Apparently I can’t embed the video. Never had that happen before. Strange. You’d think Vimeo would remove the option instead of leaving it there so that people end up with stupid looking posts like the one you’re reading.
This is meant to be a general survey of a fairly large swathe of concepts and examples with lots of links for additional specificity. I encourage you to follow links.May own pattern is to command click to open interesting looking links in new tabs as I read. I also end up with many, many open tabs. I’ve tried to also mix it with quotes from a variety of designers.I’m not doing as well with diverse representation as I’d like so if you have cool people who aren’t white men please throw them my way. Those people are also worth exploring and most links will lead you to something that will lead you down an associative trailh/t Gardner and Thought Vectors for getting me to read some of the old stuff. of links/searches.. Portfolio design considerations are grounded in many of the same design decisions that are foundational to good data visualizations. Many portfolios also include, maybe should include, elements that meet the typical definition of data visualizations although usually of small data sets.You do want to be careful about over simplifying or arbitrarily simplifying your skills into something like “The Arbitrary ‘Skills’ Chart.” Both portfolios and data visualizations can be thought of as heuristics. You’re helping people think. You’re helping them understand you, a concept, a relationship, etc. Rich content […]
Jim’s doing a class on digital storytelling. The course is open and free. That means we can all play and assume multiple roles. This is going to be fun. Iconic Clash Take your two favorite movies. Make one iconic poster. For bonus points use only black and white. Closet Art Find the center of disorder in your house. Make it interesting. Make it beautiful. Make it art, if only for a momentTry not to make it as pretentious as I sound describing it.. Take a picture. Tweet, Tweet, Bang! Take an already existing tweetI will never forgive whoever made that the correct term. mash it up with an Audubon painting. Challenge yourself. It doesn’t have to be bird related. Say It Like the Peanut Butter Make an animated gif from your favorite/least favorite movie capturing the essence of a key scene. Make sure the movement is minimal but essential. Here are some directions on how to do it with free software. Don’t the let the command line scare you.. —All images are from ffffound.com which is pretty much the best place ever.
I’m bouncing Dan’s post about design and storytelling in my head. His basic message is that it’s all about the story and design is just a tool to convey the story. If two people are telling the same story, the one who knows when and how long to pause, when to raise their voice, when to whisper will seem to tell a much better story. Visual design works the same way. And you get better at it by paying attention to people who are good and then analyzing your own work. Reflection on what you do that works is a key component of design (and just about anything else). It’s a lot like what D’Arcy says here about photography (just replace photography with design). And there’s no easy answer. There isn’t a simple recipe, where if followed dutifully, a person will be transformed into a better photographer. There are two separate but related aspects to photography – the technical, and the aesthetic. I believe that the technical side can be relatively easily addressed – read some books, maybe take a course or two, rtfm, and practice. It’s the aesthetic side of photography that is harder to develop. There isn’t an easy process to do that. Some sense of aesthetics will develop as you shoot more photographs – whether through trial […]